Let’s start by looking at the ‘Volume_Observer’ device. If you are a Live user who wants to get into M4L patching this will hopefully get you started and show you some ways of interacting with the Live API. If you’re a Max user you should have no trouble following a long. I’m not going to go into the gritty detail of every patchcord and object, but I will explain some of the fundamental concepts of using the Live API and the M4L API objects. This is all setup in the demo set for you. Place the ‘QuNeo_Meters’ device on an empty MIDI track, with the input set to QuNeo, the output set to QuNeo on channel 2, and the tracks monitoring set to ‘IN’. Place a copy of the ‘Volume_Observer’ device on the first four tracks, and select which column you want to send the data to. You can use this with factory preset 5 right out of the box, but you might want to turn off the local LED control for the pads. You can launch clips using the other pads on the meter. You can solo and mute these tracks using the lower left and right corners of the corresponding meters. These devices work together to monitor the audio levels on the first four tracks and translate them to stereo VU meters on the QuNeo pads. #M4L MIDI MONITOR DOWNLOAD#We will use a pair of devices that I recently made as an example, which you can download HERE. #M4L MIDI MONITOR SERIES#This series of articles will go through some of the basics of communicating with a MIDI controller (in this case the QuNeo from KMI), observing properties of Live via Max 4 Live (M4L from here on out) and the Live API, and controlling aspects of the Live set from within a M4L patch/device. #M4L MIDI MONITOR SOFTWARE#The ability to define the interaction between hardware and software is more easily done than ever before, and doesn’t require any advanced programming (although it definitely can go that route). #M4L MIDI MONITOR HOW TO#How do you resist the urge to continually update and reshape your collection of controllers? You learn how to control them. There are complex marriages between hardware and software, such as Push and Live, or the Maschine Line of products. Along with these controllers, integration options have evolved right along side. The choices are almost endless, and you can get your hands on almost any configuration of knobs, buttons, sliders, and even touch screens. The world of controllers has evolved quite rapidly since I started using computers for music back in 2009. For more information about the options you can refer to the HENONSYNTH :ĭownload on Gumroad : /szkdevicesĮxplore the Max For Live Library : maxforlive.Posted March 11th, 2015 by Evan Bogunia & filed under Ableton Live, Blog. These Modules include all the functions of the HENONSYNTH, but in a independant way, and features Envelope Modulators options to control Live's parameters with custom automations. ADSR, Frequency Shifter, Crusher, Reverb and Equalizer.Ī simple remote that allows you to launch all the devices at the same time. Up to 4 values from the attractor can be send to any Midi Instrument on other tracks via the MIDI RECEIVE ModuleĪn Audio Effect that allow you to take control of Live's parameters and modulate them with the attractors.Ī Midi Instrument reproducing the oscillators from the HENONSYNTH :Ģx Oscillators with ADSR, Filter Env. The quadratic algorithm generates a quasi-unlimited quantity of strange attractors which values allow you to feed different modules.Ī Midi Effect that generates midi notes from the attractors.Īn hybrid Effect you can place on Audio track and that produces Midi Notes to be send. HENONMODULES is a collection of independant modules from the HENONSYNTH, a complex multi-purpose synth-modulator based on quadratic mapping.
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